A few years back, directors Lois Patiño and Matías Piñeiro joined forces for what was meant to be a very loose adaptation of Shakespeare’s The Tempest. The res...
It's hard to say what's more endearing about Takashi Miike these days: that the director of Audition and Ichi The Killer is still out there producing work at t...
With an evocative opening-credits sequence as the camera swirls through a virtual landscape of neon signs and lights, one might think they are witnessing the b...
Early one morning, a single father and widower (John Magaro)––credited as Dad––wakes up his perceptive nine-year-old Ella (Molly Belle Wright) and mischievous ...
There is an unbridled honesty to André Is an Idiot that is admirable, even if all of it doesn't really work. It's a simple, stark subject for a documentary: ac...
Sensitive and nuanced, Katarina Zhu’s directorial debut Bunnylovr is a compelling character study that never quite makes sense of the messy life of personal as...
The infamous cover of New York Magazine’s December 2022 issue declared that Hollywood is in the middle of a “Nepo Baby Boom,” but this is hardly restricted to ...
If, by and large, American cinema has taken a puritanical view on sex, leave it to our neighbors up north to craft a refreshingly frank, hilarious comedy o...
It’s more than a little odd when a director’s follow-up film to an Oscar-nominated hit is being offloaded onto theaters in the frozen tundra that is "dumpuary....
Not to judge a film from the synopsis established by its marketing team, but those expecting director Aurélie Saada’s debut Rose––a 2021 Locarno premiere only ...
