While there’s the oft-repeated observation that every generation thinks they are living through the end of the world, the maelstrom of anxieties (both quotidia...
The laws of time and space are met with frisky ambivalence in Drunken Noodles, Lucio Castro’s anticipated third feature and surely the hottest title in this ye...
When confronted with the past, do you drive away or turn back to face it? Siblings Ren (Kurosaki Kodai, in his first lead role) and Emi (Mai Kiryu) have be...
Just three years since earning a special mention from the Camera d’Or jury for Plan 75, Chie Hayakawa returns to Cannes as one of seven filmmakers debuting in ...
Late into I Only Rest in the Storm, Sergio (Sérgio Coragem) is asked a question he can’t seem to answer: what do you care about? A Portuguese environmental eng...
As reminders that ignorance, bigotry, and hate can literally kill, stories about the AIDS epidemic will always be relevant. The latest, beautiful example arriv...
Horror movies explicitly tackling grief are hardly a recent development, but it’s difficult to argue against the fact that we’ve seen this theme exploited ...
The queer coming-of-age experience is one of great vulnerability: a young person must grapple with the realization they’re becoming different from both past se...
Note: This review was originally published as part of our 2024 Filmfest Hamburg coverage. Love opens in theaters on May 16.
It takes confidence to name ...
Note: This review was originally published as part of our 2022 Fantasia coverage. Next Sohee opens in theaters on May 16.
And here I thought capitalism's ho...
