Just three years since earning a special mention from the Camera d’Or jury for Plan 75, Chie Hayakawa returns to Cannes as one of seven filmmakers debuting in ...
Late into I Only Rest in the Storm, Sergio (Sérgio Coragem) is asked a question he can’t seem to answer: what do you care about? A Portuguese environmental eng...
As reminders that ignorance, bigotry, and hate can literally kill, stories about the AIDS epidemic will always be relevant. The latest, beautiful example arriv...
Horror movies explicitly tackling grief are hardly a recent development, but it’s difficult to argue against the fact that we’ve seen this theme exploited ...
The queer coming-of-age experience is one of great vulnerability: a young person must grapple with the realization they’re becoming different from both past se...
Note: This review was originally published as part of our 2024 Filmfest Hamburg coverage. Love opens in theaters on May 16.
It takes confidence to name ...
Note: This review was originally published as part of our 2022 Fantasia coverage. Next Sohee opens in theaters on May 16.
And here I thought capitalism's ho...
“I'm going to miss being disreputable,” Ving Rhames’ Luther Stickell grumbles to Tom Cruise's now-iconic superspy after their first of many impossible missions...
Note: This review was originally published as part of our 2024 NYFF coverage. The Damned opens in theaters on May 16.
Robert Minervini’s The Damned&nbs...
Frequent festival-goers learn not to expect much from opening films. Quality is but one of many factors that lead to the selection for this symbolic slot. In o...
