Exit 8 Review: A Videogame Adaptation Heavy on Allegory

Note: This review was originally published as part of our 2025 TIFF coverage. The film opens in theaters on April 10. Adapting a video game like 2023's indi...

Heads or Tails Review: An Ethereal, Lived-In Western

Note: This review was originally published as part of our 2025 Cannes coverage. The film opens in theaters and arrives digitally on April 10. I could name f...

The Christophers Review: Steven Soderbergh’s Somewhat Dull Actors’ Showcase

Note: This review was originally published as part of our 2025 TIFF coverage. The film opens in theaters on April 10. Steven Soderbergh will not stop, and w...

Bunnylovr Review: A Compelling, Messy Character Study in Social Isolation

Note: This review was originally published as part of our 2025 Sundance coverage. The film opens in theaters on April 10. Sensitive and nuanced, Katarina Zh...

Faces of Death Review: Smartly Crafted Remake Investigates the “Sicko” in All of Us

When Faces of Death was originally released in 1978, the mere thought that you could watch actual people die was enough to sell the movie, even if it ended...

The Drama Review: Kristoffer Borgli’s Provocations Mask Greater Ignorance

Some critics are going to say The Drama is not about race, or that if it is, this is simply an accident born of colorblind casting. There is a reveal—the revea...

The Stranger Review: François Ozon Finally Gives Albert Camus’ Novel Its Cinematic Due

Note: This review was originally published as part of our 2025 Venice coverage. The film opens in theaters on April 3. Nobel laureate Albert Camus is on...

The Blue Trail Review: A Lively Journey Down the Amazon River

Note: This review was originally published as part of our 2025 Berlinale coverage. The film opens in theaters on April 3. The Blue Trail, the lively new fil...

Kontinental ’25 Review: Radu Jude Has Nothing Left To Prove

Note: This review was originally published as part of our 2025 Berlinale coverage. The film opens in theaters on March 27. “The id grows tedious,” art c...

Chime Review: Kiyoshi Kurosawa’s Mid-Length Chiller Doesn’t Stay Long But Leaves Its Mark

Note: This review was originally published as part of our 2024 Berlinale coverage. The film opens in theaters on March 27. How do you even start to write ab...