Indiewire having encouraged us to reminisce about the 2000s through its recent Best of the Decade list, there's the reminder of one key thread defining that er...
Pia Marais’ Transamazonia seeks to connect us to its characters and the environment containing them, but we leave the film far more imprinted by the latter. Th...
The latest documentary from Chinese filmmaker Wang Bing is titled Youth (Hard Times). For anyone who watched its predecessor, Youth (Spring), in the early days...
Alien has been Disney-fied. It hasn't been softened or sanitized for a younger audience. It has instead been tweaked and studio-noted to mollify executives, un...
Memories can be slippery things. Take what happens around the halfway point of Laurynas Bareiša's beguiling second feature: two women––more specifically Ernest...
How does culture survive in the midst of a war? Rule of Two Walls––written, directed, and edited by David Gutnik––asks the question and attempts to answer it. ...
A year since Do Not Expect Too Much from the End of the World amused us so, Radu Jude has now unveiled two new experimental found-footage films in Locarno. And...
Shatara Michelle Ford’s sophomore feature Dreams in Nightmares is a Black road trip film with a big heart, full of warmth, healing, and beauty. With their debu...
For a film about saving the universe from cosmic evil, stakes couldn’t be lower in The Paragon. What begins as a man’s quest for revenge takes a hard left into...
As the world flattens with new technologies to reveal how tragedies we used to only hear about now and then are actually everyday occurrences, we become inured...
