At last year's Venice Film Festival, Harmony Korine took a wild left-turn with Aggro Dr1ft, the first feature from his new production company EDGLRD. The myste...
Where’s the filth? I wrote down the question on page two of my notes, roughly about when Queer entered its second chapter, sending Lee (Daniel Craig) and his y...
An unnamed village, an unknown time; somewhere in Britain, sometime in the Late Middle Ages, something is about to end. Athina Rachel Tsangari’s Harvest sees t...
Killers of the Flower Moon's epilogue felt like the last word on true crime: a director with several based-on-a-true-story tales to his name emerging from behi...
It’s fall 1983 in the Pacific Northwest, a historical hotbed for white poverty and white-power mobilization. Flannels flow like wine, backcountry bowl cut-adja...
In life and in cinema, Pedro Almodóvar likes to talk about death. When people aren't losing their faculties in his films––like going blind (Folle... folle... f...
The Motorcycle Diaries director Walter Salles developed I’m Still Here for seven years before it premiered as part of Venice's Main Competition this year. That...
A hurricane is coming and Atlantic Beach, Florida is directly in its path. The tourists have already left. Most residents remain. Why? Because this is hurrican...
It’s been nine years since Jon Watts made a feature film that wasn’t about Spider-Man––long enough that for the past three years his MCU entries have outnumber...
When The Childhood of a Leader premiered at the 2015 Venice Film Festival, you had to wonder where Brady Corbet could possibly go next. There was just somethin...
