Note: This review was originally published as part of our 2024 Venice coverage. Cloud opens in theaters on July 18.
Kiyoshi Kurosawa is having quite the...
Note: This review was originally published as part of our 2024 Locarno coverage. Drowning Dry opens in theaters on July 18.
Memories can be slippery thi...
Note: This review was originally published as part of our Venice 2024 coverage. Familiar Touch opens in theaters on June 20.
In a sunny kitchen in Calif...
It’s a brisk March morning in Luxembourg and my conversation with Paul Laverty has turned to Cantona. “Remember that goal he scored, with Brian McClair?” A cla...
I could name few living filmmakers better equipped for the Western than Alessio Rigo de Righi and Matteo Zoppis. The duo behind The Tale of King Crab––a film I...
Continuing in the low-key register of her Golden Bear winner Alcarràs, Carla Simón returns with Romería, another tale of intergenerational dissonance. A film a...
The laws of time and space are met with frisky ambivalence in Drunken Noodles, Lucio Castro’s anticipated third feature and surely the hottest title in this ye...
Just three years since earning a special mention from the Camera d’Or jury for Plan 75, Chie Hayakawa returns to Cannes as one of seven filmmakers debuting in ...
Note: This review was originally published as part of our 2024 Cannes coverage. Caught by the Tides opens in theaters on May 9.
Jia Zhangke's is often a cin...
Note: This review was originally published as part of our 2024 Cannes coverage. The Surfer opens in theaters on May 2.
In The Surfer, an exploitation film s...
Irish-born, Berlin-based, Rory O'Connor has been covering the European film festival circuit since 2012. A regular contributor to The Film Stage, his work has also appeared in Frieze, The Playlist, and CineVue.
