It could be argued that the closest relative to films about dementia is the murder mystery. There are certainly many common features: a victim and an enigmatic...
Tomás Gómez Bustillo’s charming, intelligent Chronicles of a Wandering Saint is a natural follow-up to the two short films for which he is known: Soy Buenos Ai...
Jac Cron’s Chestnut is undoubtedly more instructive than it is enjoyable. Instructive because it brings to the fore many of the dominant features of Gen Z gloo...
The tagline of Clair Titley’s The Contestant is “The naked truth about the world’s first reality star.” The show referred to is Susunu! Denpa Shōnen, which air...
There are really three Dario Argentos in Simone Scafidi’s new documentary, Dario Argento Panico, and together they form a kind of Unholy Trinity. There is Dari...
With Loving Vincent, the directors DK and Hugh Welchman attempted something that had never been done before: to create and edit together 65,000 oil paintings i...
In a penetrating essay on the life and work of Salvador Dalí, George Orwell observed the following about intellectual ambition: “It seems to be, if not the rul...
Many people (this reviewer included) scoffed at the announcement of Chicken Run: Dawn of the Nugget. Something about the ludicrous title and 23-year hiatus gav...
With great success comes great expectation, and I doubt that Daniel Kokotajlo’s Starve Acre will quite live up to the favorable notices of his first feature, t...
Since it first terrorized Tokyo in Ishirō Honda’s 1954 film, Godzilla has faced off against nearly every single kaiju known to man—Mothra, Ghidorah, Megalon, G...