John Fink

[Review] Yogi Bear

Yogi Bear is a live-action/animated hybrid that follows very closely in the tradition of the well-established sub-genre of Warner Brothers cartoons. Not wit...

[Review] How Do You Know

Several years ago, perhaps while out of my formative years, I saw the music video for Seether’s “Fine Again,” which contains a particularly striking image: ...

[Review] Skyline

How can one make a boring film about aliens from outer space that beam down to earth to eat brains? Skyline is about as boring and bland as its title:  here we ...

[Review] Score: A Hockey Musical

The themes of “coming of age” and “staying true to one’s self” on screen are as American as white bread. Score: A Hockey Musical (as you can tell from it’s ...

[Review] N-Secure

It is no wonder that Nashville entrepreneur Julius Lewis wrote more than just the checks for N-Secure. You know your seeing a film written by a guy who sim...

[Review] Heartbreaker

Why do we care about a privileged young beautiful woman who is about to marry a guy she may be wrong for? Cinema, is aspirational, escapist, and when it isn’...

[Review] Saw 3D

The Saw franchise has operated on a bell curve, where Saw II and III improved on the first, and then it was downhill from there. They serve a purpose and have ...

[Review] Shooting April

This year's Buffalo International Film Festival offered a program of horror films that opened with Alfred Hitchcock’s Pyscho. Shooting April, the first narr...

[Review] My Soul To Take

My Soul To Take is bland cinematic comfort food, evoking pleasant childhood memories of the Scream series, the type of pre-9/11 horror film that wasn’t so s...

[Review] Streetdance 3D

I’m convinced everything sounds better with a British accent. Streetdance 3D is the British 3D version of Step Up in reverse. In Max Giwa and Dania Pasquini...

John Fink

John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.