A big swing and nearly a miss, Chad Hartigan's The Threesome is not without its charms even as it can overstay its welcome. A rom-com that offers a more seriou...
Directed by Rodney Ascher, best known for his horror-focused documentaries Room 237 and The Nightmare, Ghost Boy approaches its subject Martin Pistorius from, ...
Set years before George Michael’s arrest and inspired by the bathroom raids that provoked a moral panic in Mansfield, Ohio, in 1963, Carmen Emmi’s Syracuse-set...
Offering a twist on the body-swap genre, Amanda Kramer’s Sundance Next entry By Design feels, at first glance, more suited to the stage or gallery than cinema....
Evoking Gordon Park's black-and-white photographs of the New Deal Era, cinematographer Brittany Shyne’s powerful debut feature Seeds offers a portrait of a...
Sensitive and nuanced, Katarina Zhu’s directorial debut Bunnylovr is a compelling character study that never quite makes sense of the messy life of personal as...
A sprawling, gripping drama that starts with the foundation of the state of Israel and the displacement of Palestinian families in Jaffa, then ends two yea...
Following The Film Stage's collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
No m...
Jeremy O. Harris' Slave Play. Not A Movie. A Play. is in fact a documentary self-portrait, at times providing a behind-the-scenes look at the workshopping of H...
Expanding the cinematic universe of her first feature The Unknown Country, Morrisa Maltz’s Jazzy is a beautifully crafted portrait of childhood in South Dakota...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
