Jeremy O. Harris' Slave Play. Not A Movie. A Play. is in fact a documentary self-portrait, at times providing a behind-the-scenes look at the workshopping of H...
Expanding the cinematic universe of her first feature The Unknown Country, Morrisa Maltz’s Jazzy is a beautifully crafted portrait of childhood in South Dakota...
Like the punk-rock cousin of Kelly Reichardt’s Old Joy, Joel Potrykus' Vulcanizadora also concerns a voyage in the woods that pinpoints the exact moment an old...
Mike Ott’s McVeigh is an immersive, chilling, meticulously paced portrait of Timothy McVeigh, played by Alfie Allen, who embodies the bleak, quiet rage of the ...
Shedding light on a quirky 2007 story that made national headlines, Secret Mall Apartment takes us deep into the bowels of the Providence Place Mall, centerpie...
Blending found footage and what appears to be grainy 16mm (they shot the film on an early DV as a matter of fact), Kyle McConaghy and Joe DeBoer’s Dead Mail em...
If you were there, you remember. 2018 was the summer of MoviePass, a glorious period in cinema history where millions said "why not” and took a chance to see n...
Despite rumors that The Idea of You is a work of Harry Styles fan fiction (or a reimagining of Notting Hill), Michael Showalter’s frothy romantic comedy stands...
A crowd-pleasing film inspired by director Tracie Laymon’s experience talking with a stranger online at a low point in her life, Bob Trevino Likes It is a movi...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
