Playing like the kinkier granddaughter of Russ Meyers’ Faster, Pussycat! Kill! Kill!, Annapurna Sriram’s Fucktoys has an axe to grind, and then some. At its co...
Allegedly submitted to SXSW without the name of its director attached, Michael Bay’s feature-length non-fiction debut We Are Storror is a breathtaking action d...
A tiny miracle of a movie, Ari Gold’s deeply personal Brother Verses Brother is a whimsical musical à la John Carney’s Once, taking place on city streets, ...
Note: This review was originally published as part of our 2024 SXSW coverage. Bob Trevino Likes It opens in theaters on March 21 from Roadside Attractions.
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Like the Church potluck to which Amziah King introduces his one-time foster daughter Kateri, The Rivals of Amziah King is a gleeful mashup of genres and t...
A film with a few solid laughs and crowd-pleasing moments, Death of a Unicorn never quite pushes the envelope as far as it could or should. Landing somewhere b...
Falling somewhere between a horror film and dark comedy about wellness crazes, The True Beauty of Being Bitten by a Tick is, like director Pete Ohs' previous J...
A return to form for Jay Duplass, who's also making his solo-directing debut, The Baltimorons is a charming throwback to the low-budget indies he directed with...
A big swing and nearly a miss, Chad Hartigan's The Threesome is not without its charms even as it can overstay its welcome. A rom-com that offers a more seriou...
Directed by Rodney Ascher, best known for his horror-focused documentaries Room 237 and The Nightmare, Ghost Boy approaches its subject Martin Pistorius from, ...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
