I remember hearing Viggo Mortensen on an episode of Here’s The Thing with Alec Baldwin where he came off as the rare combination of pretentious but likable. A ...
I was thinking about my motherI was thinking about what’s mineI was living my life like a HollywoodBut I was dying, dying on the vine
–– John Cale
It was...
Wholly possible that it was a script kicking around since the mid-2000s pitched as “Speed meets Phone Booth” with a few hence-added references to “the dark web...
It was only last week I was reviewing a new take on the Dracula myth, The Last Voyage of the Demeter. Deeper into both the dog days of August and the realms of...
Reflecting on the making of his debut feature Shivers, David Cronenberg once remarked that he figured his vision for an ultra-modern horror film exploring curr...
Some films seem heavy from the outset. Taking on a number of Black transgender sex workers as its subject while splitting time between New York and Georgia––cu...
If one must ascribe a theme to the Michel Hazanavicius project, it might be documenting the progression of film history: The Artist the silent era, Redoubtable...
Perhaps it’s presumptuous to say, but I sensed during The Passengers of the Night that I was watching another film in the line of The Fabelmans or (God forbid)...
So it’s come to this: Spider-Man 10, technically. The future prophesied by many Hollywood alarmists, but now with more madness in the multi-verse (I cringe eve...
Even having interviewed Abel Ferrara a decade ago on the occasion of Ms. 45's re-release, an opportunity to speak with the legend still felt exciting, and bord...
