Among the most inspired choices for a 4K restoration this year would have to be Alan Rudolph’s Breakfast of Champions. Despite coming out in the middle of Bruc...
One of the pioneers of contemporary slow cinema, Lisandro Alonso made a name for himself on the festival circuit with his 2001 feature La libertad, which took ...
“Can satire save the Republic?”— May 2017 cover story of The Atlantic featuring Alec Baldwin as Donald Trump
“Mad TV would have done a Barron Trump School ...
Being a pet owner, depending on your personality, comes with a fair level of anxiety. For example: after leaving my apartment to go see the film I’m writing ab...
The true pits of '90s nostalgia are maybe here, as we’re in the year 2024 arriving at an attempt to hype an English Patient reunion. Yes, that’ll be music to t...
I haven’t read Pedro Páramo by Juan Rulfo, but a glance via Google informs me it was a very important novel: a magical-realist text that influenced Latin Ameri...
Mike Leigh is nothing if not an expert at conceiving (in conjunction with talented actors) a certain kind of larger-than-life character. Well, larger-than-life...
There was slight trepidation going into Bonjour Tristesse. Justifying itself as another “adaptation” of Françoise Sagan’s text rather than remake of Otto Premi...
It’s true that This Closeness, by rising writer-director-star Kit Zauhar, may be too small in scale for some. But a recent trip to New York where this writer s...
Premiering at Sundance to rave reviews earlier this year, In a Violent Nature instantly set itself apart from the glut of recent independent horror films via i...