Note: This review was originally published as part of our 2025 TIFF coverage. Christy opens in theaters on November 7.
“Aren’t we past this?” That’s the tho...
Note: This review was originally published as part of our 2025 TIFF coverage. Nuremberg opens in theaters on November 7.
Stanley Kubrick, in one of the most...
From just his scripts alone, Charlie Kaufman is certainly one of the most distinctive voices in American cinema, be it Being John Malkovich or Adaptation. Ever...
Note: This review was originally published as part of our 2025 TIFF coverage. Roofman arrives in theaters on October 10.
Derek Cianfrance’s place in the cur...
Reflecting on Francis Ford Coppola’s Megalopolis a year later, after all the memes, hyperbolic hitpieces, and even some admiring reviews, it’s likely public op...
My friend (and Film Stage Managing Editor) Nick Newman likes the term “counterfeit money” to describe certain movies. Be it The Batman or Ben Affleck's oeuvre,...
Is the idea of a Claire Denis film changing? There was likely an image one formed in their head when that name emerged: elliptical, sexy, avant-garde. Yet rece...
It’s not too grand a statement to say the environment you watch a film in will heavily impact how you feel about it. This was the case with Sacrifice, a suppos...
If you’ve kept up with right-wing tech oligarch Peter Thiel (or at least his interviews) you’ve probably noted his obsession with the term “stagnation.” While ...
You can say that Danny Boyle was once the filmmaking avatar of Cool Britannia: a director who, at age 40, still managed to perfectly capture the zeitgeist of 2...
