An ambling father-daughter road trip through ‘90s Poland, Julia von Heinz’s Treasure is an odd hybrid. On one side it’s a meandering portrait of a father (Step...
Transitioning the naturalistic comic sensibilities that made Better Things a success, Pamela Adlon’s feature debut Babes manages to co-opt the rhythms of a rom...
Following The Film Stage's collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
One ...
Despite its Bond-adjacent title, The Goldfinger acts as something of a reunion from a different franchise. Re-teaming Andy Lau, Tony Leung, and writer (now wri...
Centralizing the moral quandaries of undercover journalism rather than the gig economy the film is ostensibly about, Emmanuel Carrére’s Between Two Worlds ofte...
Winner of the Un Certain Regard at last year’s Cannes Film Festival, Lise Akoka and Romane Gueret’s The Worst Ones arrives in the U.S. with a certain amount of...
In the early 1960s, 13 women were murdered around the Boston area. Most were strangled with their own nylon stockings, leading the press to dub the murderer th...
Christopher Smith’s films have often been obsessed, in one way or another, with time. From the recursive looping of his breakout Triangle to the branching narr...
The mechanics and politics of the filmed sex scene are put under a microscope in Kristy Guevara-Flanagan’s documentary Body Parts. A useful primer for thinking...
Four young boys come of age in Guðmundur Arnar Guðmundsson’s textured yet maudlin kitchen-sink drama Beautiful Beings. Guðmundsson’s sophomore feature (and Ice...
