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Nicolas Winding Refn to Shoot New Feature In Japan
Martin Scorsese on Marlon Brando’s
One-Eyed Jacks
: “It Cries Back to the End of the Westerns”
The Telluride Film Festival’s 2024 Lineup Includes Alfonso Cuarón, Guy Maddin, Alain Guiraudie & More
Trailers
Trailers
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Nickel Boys
Trailer: RaMell Ross’ Stunning, Radical Colson Whitehead Adaptation Arrives in October
New Trailer for Francis Ford Coppola’s
Megalopolis
Arrives Ahead of IMAX Preview
First Trailer for Mike Leigh’s
Hard Truths
Finds Marianne Jean-Baptiste Searching for Happiness
Reviews
Reviews
See all
Venice Review: Lee Kang-sheng Imbues
Stranger Eyes
with Mystery and Disquiet
Locarno Review: Courtney Stephens and Callie Hernandez’s
Invention
Holds a Seductive Power
Knit’s Island
Review: A Mesmerizing Journey Into MMORPG Lives
Features
Features
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NYC Weekend Watch: L.C. Barreto Productions, Andy Warhol,
Another Woman
& More
12 Films to See in September
The Best Movies Now Playing in Theaters
Interviews
Interviews
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Jeremy Saulnier on
Rebel Ridge
, the Power of Information Deprivation, and Staying Energized Through Production Delays
Lee Daniels on
The Deliverance
, Shifting Culture, Douglas Sirk, and That Glenn Close Performance
James Ivory and Stephen Soucy on Merchant Ivory’s Legacy, Life-Long Collaboration, and Their Best Film
Podcasts
Podcasts
See all
The Film Stage Show Ep. 547 –
Horizon: An American Saga – Chapter 1
(with Jen Johans)
The Film Stage Show Bonus Ep. – Box Office Bonanza (January 14, 2005)
The Film Stage Show Ep. 546 –
Trap
(with Dan Mecca)
Festivals
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Lee Daniels on
The Deliverance
, Shifting Culture, Douglas Sirk, and That Glenn Close Performance
1
Venice Review:
Joker: Folie à Deux
Pulls a Prank on Incels and Anarchists Everywhere
2
Venice Review: Alex Ross Perry’s
Pavements
Both Reinvents and Justifies the Rock Doc
3
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