One night in 2016, I was working at a small movie theater in Austin, Texas, when a man leaned over the cash register and shook my hand. “Thanks for tonight,” h...
“The only difference between children and grown-ups is that the grown-ups are unsupervised.” This line, uttered in the second half of Bill Ross IV and Turner R...
If “Rear Window meets Life Is Beautiful” sounds like an all-timer of a cursed elevator pitch, then there’s nothing Michael A. Goorjian’s well-intentioned crowd...
The second part of this year’s Venice Film Festival shines with at least two firsts: Ava DuVernay is the first African-American female director competing for t...
After seven long years following the one-two, varied punch of Midnight Special and Loving, director Jeff Nichols is finally back. The Bikeriders––bringing toge...
Shrouded in a veil of secrecy up until its Japanese release this past July, Hayao Miyazaki's first feature in a decade and potentially the 82-year-old director...
We recently had the good fortune to speak with the talented, prolific filmmaker Wayne Wang about his long career, in particular his film Dim Sum: A Little Bit ...
Politics are the enemy in Gábor Reisz’s Explanation for Everything, an ambitious, entertaining effort from the Hungarian filmmaker to address the crisis of div...
If the joy of art is that it can be interpreted in infinite ways over time, then is a project which “remixes” classic movie scenes by forcing them into the cur...
One of the most visually ravishing movies I saw at Sundance Film Festival early this year was C.J. “Fiery” Obasi’s Mami Wata, "A West Afrikan Folklore," as our...