With every step she took on the catwalk, Bethann Hardison broke new ground. She did it while strutting in Chester Weinberg’s A-line skirts across the private s...
A low-key, poetic exploration of life’s ironies, Monica Sorelle’s feature debut Mountains frames the disappearance of Miami’s Little Haiti with a warm, compass...
With the unfortunate history of portrayals of many marginalized communities, the first films to kick open the door to mainstream representation were often made...
When asked, in 2019, to explain why her first three features begin during the night, Alice Rohrwacher recalled the long drives she would take with her beekeepi...
Since Sofia Bohdanowicz introduced Deragh Campbell's Audrey Brenac in Never Eat Alone, the eye-gravitating protagonist has always been on some inquiry, not unl...
Fatally, perhaps, I went into Shin Kamen Rider as a Hideaki Anno fan first and a Kamen Rider fan… not so much. I knew about it, of course: the iconography of t...
In The Old Oak, an English man and a Syrian woman become unlikely friends on one side of a simmering culture war. It's the latest from Ken Loach and, if report...
Iranian filmmaking’s reliance on formal restrictions and secrecy are given new variations in Terrestrial Verses, co-directed by Ali Asgari and Alireza Khatami,...
So it’s come to this: Spider-Man 10, technically. The future prophesied by many Hollywood alarmists, but now with more madness in the multi-verse (I cringe eve...
Every cinematic cabin in the woods suggests a place out of time. If you believe the movies, they’re either a) a dread-inducing home to all manner of spirits an...
