If you witnessed the chaos unfold in Kabul airport two years ago, it probably won't come as much of a surprised to learn the US Army left a helicopter or two i...
If the recent mushrooming of A.I. recreations and YouTube / TikTok parodies of Wes Anderson’s cinema serve any purpose, it’s to show that his ongoing allure is...
Whatever one may think of Luc Besson’s oeuvre, his films work best when they live up to their trashy potential. The director’s cinema is littered with all-out ...
Georgian cinema continues to show thriving signs of life in Blackbird Blackbird Blackberry, a film about a contently independent woman who is faced with the th...
If there’s one sin in criticism that many writers––myself included––fall victim to at one point or another, it’s assessing a film’s narrative by comparing it t...
Wholly possible that it was a script kicking around since the mid-2000s pitched as “Speed meets Phone Booth” with a few hence-added references to “the dark web...
The tiny city of Dalton, Georgia, has left a large footprint in the daily lives of millions who most wouldn’t have stopped for a second to consider. Well, it’s...
When singled-out within a purely visual medium, sound becomes intrinsically linked to the theme of obsession: a mystery the eyes can’t see that the protagonist...
Over the past six years Quentin Dupieux has been working at Hong Sangsoo’s speed, churning out a film every few months. The streak kicked off in 2018 with the ...
It was only last week I was reviewing a new take on the Dracula myth, The Last Voyage of the Demeter. Deeper into both the dog days of August and the realms of...
