By far one of the most delightful films of the year––even when it breaks your heart––Pablo Berger’s Robot Dreams is a deceptively simple take on companionship ...
Inserting yourself into the story you’re telling is always a risk. Kaouther Ben Hania, the director of Four Daughters, makes herself known in her docu-fiction ...
Many people (this reviewer included) scoffed at the announcement of Chicken Run: Dawn of the Nugget. Something about the ludicrous title and 23-year hiatus gav...
As meta as it gets, The Movie Emperor (Hong Tan Xian Sheng) stars Hong Kong superstar Andy Lau as superstar Dany Lau, a box-office hero desperate to validate h...
Filmmaker Miko Revereza closes the door on sharing memories as an undocumented immigrant with Nowhere Near, an extension of his multi-film project exploring hi...
At the time of year where every other film is a biopic chasing prestige respectability, we are lucky to have Quentin Dupieux, the prolific, serious-minded, sil...
With great success comes great expectation, and I doubt that Daniel Kokotajlo’s Starve Acre will quite live up to the favorable notices of his first feature, t...
When does a sense of adventure turn into madness? The Mission, a new documentary from Jesse Moss and Amanda McBaine, attempts to ask and answer this question i...
At a time when breakthrough directors can only get incorporated into the studio system via micro-managed franchise blockbusters, it certainly pays to be friend...
Robin Campillo’s strengths as both a writer and a director revolve around his ability to personalize the most sprawling of ensemble pieces, never allowing view...
