Offering a twist on the body-swap genre, Amanda Kramer’s Sundance Next entry By Design feels, at first glance, more suited to the stage or gallery than cinema....
It's hard to say what's more endearing about Takashi Miike these days: that the director of Audition and Ichi The Killer is still out there producing work at t...
With an evocative opening-credits sequence as the camera swirls through a virtual landscape of neon signs and lights, one might think they are witnessing the b...
Evoking Gordon Park's black-and-white photographs of the New Deal Era, cinematographer Brittany Shyne’s powerful debut feature Seeds offers a portrait of a...
Early one morning, a single father and widower (John Magaro)––credited as Dad––wakes up his perceptive nine-year-old Ella (Molly Belle Wright) and mischievous ...
There is an unbridled honesty to André Is an Idiot that is admirable, even if all of it doesn't really work. It's a simple, stark subject for a documentary: ac...
Sensitive and nuanced, Katarina Zhu’s directorial debut Bunnylovr is a compelling character study that never quite makes sense of the messy life of personal as...
The infamous cover of New York Magazine’s December 2022 issue declared that Hollywood is in the middle of a “Nepo Baby Boom,” but this is hardly restricted to ...
A sprawling, gripping drama that starts with the foundation of the state of Israel and the displacement of Palestinian families in Jaffa, then ends two yea...
If, by and large, American cinema has taken a puritanical view on sex, leave it to our neighbors up north to craft a refreshingly frank, hilarious comedy o...
