In BlackBerry, the rise of a blue-chip tech company sets the stage for the dissolution of a longstanding friendship. Sound familiar? Just wait ‘til you hear th...
Just when you thought filmmakers and creators had exhausted everything worth saying in American high school-set comedies and thrillers, along comes Chicago-bas...
She Came to Me has designs on being a grand opera, but it’s definitely more of what the British call a panto. Opening at a swanky cocktail reception as a male ...
Ahead of the Academy Awards, we’ve reviewed every short film in each category: Animation, Documentary, and Live Action.
Animation
The Boy, the Mole, ...
The key to understanding the new Philip Marlowe film is being aware that it’s not based on an actual novel by Raymond Chandler but a 2014 exercise by Irish mys...
What does it mean to confront the colonial sins of the past and truly make reparations for the erasure of cultures? Lin Alluna’s Twice Colonized directly explo...
We’re less than a quarter into 2023 and independent horror appears to be having a moment. Technically it started several months ago when Kyle Edward Ball’s “li...
Christopher Smith’s films have often been obsessed, in one way or another, with time. From the recursive looping of his breakout Triangle to the branching narr...
The only exterior shot Playland shows of the iconic Boston gay dive that lends the film its name is a black-and-white photograph slotted seconds before the end...
If 2022 was the year of self-reflexive explorations of harnessing cinematic tools to varying means––the likes of Steven Spielberg, James Gray, Alejandro Gonzál...
