The Film Stage

The Film Stage https://validator.w3.org/feed/docs/rss2.html May on the Criterion Channel Features David Chase, Magellan, ’80s Remakes & More Faith in the Process: Pete Ohs on Erupcja, Charli XCX, and New Methods New to Streaming: Nirvanna the Band the Show the Movie, Sirāt, Send Help, A Poet & More The Best Movies Now Playing in Theaters Mile End Kicks Review: A Canadian Music Critic Finds Herself Blue Heron Review: An Astonishing Seance of Self and Film Eagles of the Republic Review: A Playful Comedy-Thriller About an Egyptian Movie Star First Trailer for Asghar Farhadi’s Parallel Tales Starring Isabelle Huppert, Virginie Efira, Vincent Cassel & More “You Can’t Recreate a Reality”: Sophy Romvari on Blue Heron Exclusive Trailer for Prismatic Ground 2026 Brings the Future of Cinema to NYC The Criterion Collection’s July Lineup Features The Elephant Man, Alice Doesn’t Live Here Anymore, and Mike Mills on 4K Godzilla Returns to New York in First Teaser for Takashi Yamazaki’s Godzilla Minus Zero Mother Mary Review: An Intimate, Metaphysical Two-Hander David Lowery on Mother Mary, Beyoncé, and Transposing His Concerns Onto a Pop Icon The Currents Trailer: Milagros Mumenthaler’s Acclaimed Drama Arrives This May Tony Leung Finds Earthly Connection in Exclusive Poster for Ildikó Enyedi’s Silent Friend Josh Heaps on the DIY Horror of City Wide Fever Emulsion Ep. 14 – Filipe Furtado on Movie Dementia, Carlos Reichenbach, and Brazilian Cinema Emulsion Ep. 17 – Stephanie LaCava on Nymph, Chantal Akerman, and Abel Ferrara Amrum Review: Fatih Akin Examines the Insidiousness of Fascism Through Coming-of-Age Lens Cannes Directors’ Fortnight 2026 Lineup Includes Radu Jude, Lisandro Alonso, Kantemir Balagov, Clio Barnard & More The Mountain Review: A Cute Kiwi Tale About Friendship The Wizard of the Kremlin Trailer: Jude Law Is Vladimir Putin in Olivier Assayas’ Political Drama Normal Review: Ben Wheatley and Bob Odenkirk Craft a Suitable John Wick Spin Home Page “I’m Definitely Not Trying to Be Consistent”: Kiyoshi Kurosawa on Serpent’s Path, Chime, and Kokurojo Home Page Watch: Spike Jonze Directs Zendaya in Shape of Dreams Campaign The Christophers Review: Steven Soderbergh’s Somewhat Dull Actors’ Showcase Cannes Film Festival Unveils 2026 Lineup Heads or Tails Review: An Ethereal, Lived-In Western Fiume o Morte! Review: A Historical Reenactment of Rare Wit and Energy Exit 8 Review: A Videogame Adaptation Heavy on Allegory Ombres de soie Exclusive Trailer: Éric Rohmer Collaborator Mary Stephen’s Debut Feature Gets Restored Marxist Millionaires and Fungal Worlds: The Best Films of CPH:DOX 2026 The B-Sides of Steve Martin with Eric D. Snider Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis New to Streaming: EPiC: Elvis Presley in Concert, My Father’s Shadow, Dreams, The President’s Cake & More The B-Sides of Spike Lee Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film Bunnylovr Review: A Compelling, Messy Character Study in Social Isolation The Invite Trailer: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton Have a Night to Remember The Drama Review: Kristoffer Borgli’s Provocations Mask Greater Ignorance 13 Films to See at 2026 New Directors/New Films Faces of Death Review: Smartly Crafted Remake Investigates the “Sicko” in All of Us NYC Weekend Watch: Jack Harlow, Trouble Every Day, Caché & More The Last One for the Road Trailer: Take an Inebriated Trip Through Italy Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More Dolphins and Drugs: Michael Almereyda and Courtney Stephens on Capturing the Work of John Lilly