The Film Stage

The Film Stage https://validator.w3.org/feed/docs/rss2.html Panos Cosmatos Sets Kristen Stewart and Oscar Isaac for Andrew Kevin Walker-Scripted Flesh of the Gods The Drama Review: Kristoffer Borgli’s Provocations Mask Greater Ignorance MoMI Unveils First Look 2026 Lineup The Blue Trail Review: A Lively Journey Down the Amazon River The Best Movies Now Playing in Theaters First Teaser for Ryûsuke Hamaguchi’s All of a Sudden Starring Virginie Efira and Tao Okamoto The Last One for the Road Trailer: Take an Inebriated Trip Through Italy The Dean Silvers Indies Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More Dolphins and Drugs: Michael Almereyda and Courtney Stephens on Capturing the Work of John Lilly NYC Weekend Watch: Tsai Ming-liang, Ken Jacobs, Gender Transgression & More New to Streaming: My Undesirable Friends, Pillion, Avatar: Fire and Ash, Wuthering Heights & More 15 Films to See in April The Stranger Review: François Ozon Finally Gives Albert Camus’ Novel Its Cinematic Due François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting Watch: Brady Corbet Directs Robert Pattinson in 1664 Commercial, Shot by Lol Crawley Arnaud Desplechin Finds the Music in U.S. Trailer for Two Pianos Backrooms Trailer: Renate Reinsve and Chiwetel Ejiofor Discover the Abyss in Kane Parsons’ Debut Blue Film Trailer: Controversial Camboy Thriller Arrives This May The Blue Trail Director Gabriel Mascaro on Coming-of-Age Inversion, Playful Dystopias, and Conservative Awakenings Boots Riley Stages Fashion Heists in New Trailer for I Love Boosters Travel to Near-Future Brazil in U.S. Trailer for Gabriel Mascaro’s The Blue Trail Manas Exclusive Trailer: Venice-Winning Brazilian Debut Arrives This May Heads or Tails Trailer: John C. Reilly Is Buffalo Bill in Alessio Rigo de Righi and Matteo Zoppis’ Cannes Selection David Robert Mitchell Returns in First Trailer for The End of Oak Street Sinking into the Abyss: Nadav Lapid on Yes, the Collapse of Morality, and Beauty in Dance Chime Review: Kiyoshi Kurosawa’s Mid-Length Chiller Doesn’t Stay Long But Leaves Its Mark Exclusive New Stills From Carla Simón’s Romería as Janus Films Sets June Release Rosebush Pruning Trailer: Callum Turner, Riley Keough, Elle Fanning, Tracy Letts & More Have Family Issues New to Streaming: Nirvanna the Band the Show the Movie, Sirāt, Send Help, A Poet & More NYC Weekend Watch: Béla Tarr, Meiko Kaji, Kiyoshi Kurosawa & More Katie Aselton and Daveed Diggs Find Escape in First Trailer For Magic Hour 6K Restoration of Werner Herzog’s Cave of Forgotten Dreams Is Coming to IMAX Exclusive Trailer for 4K Restoration of Lina Wertmüller’s The Seduction of Mimi The B-Sides of Spike Lee Sylvain Chomet on A Magnificent Life, Joker: Folie à Deux, and Returning to Triplets of Belleville Yes Review: Nadav Lapid Stages a Furiously Provocative Satire of Israeli Genocide First Japanese Trailer for Hirokazu Kore-eda’s Sheep in the Box, Primed for a Cannes Debut Revelations of Divine Love Review: A Charmingly Evocative Medieval Tale with Modern Resonance Exclusive Poster for 2026 Edition of Los Angeles Festival of Movies, Taking Place April 9-12 A Magnificent Life Review: Sylvain Chomet’s Saccharine Tribute to Marcel Pagnol John Lilly and the Earth Coincidence Control Office Review: An Illuminating Work of Cultural Archaeology Kontinental ’25 Review: Radu Jude Has Nothing Left To Prove Alpha Review: A Half-Baked Misstep for Julia Ducournau Home Page Olivier Assayas Plans Sequels to Something in the Air and Suspended Time Christian Petzold Wants Nina Hoss and Paula Beer to Star in His Next Film SXSW Review: Paul Rudd and Nick Jonas Strike a Chord in John Carney’s Power Ballad New to Streaming: Magellan, All That’s Left of You, Roofman & More Home Page