Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Museum of Modern Art
Godard‘s Every Man for Himself plays Friday and Sunday (6/20, 6/22) under “Carte Blanche: MK2,” the series also presenting Taxi Blues, The Beekeeper, and Alain Resnais‘s Mélo on Saturday (6/21). The Wall also plays this Sunday.
Museum of the Moving Image
“See It Big! Science Fiction” brings an irresistible mix. The restored print of Resnais’s Je t’aime, je t’aime plays Friday and Sunday (6/20, 6/22), on the latter day preceded by Tarkovsky‘s Solaris. This Saturday (6/21), Videodrome and The Terminator can be seen.
The unshakably, disturbingly strange Liquid Sky plays on 35mm this Friday and Saturday (6/20, 6/21) as part of “June Midnite: Future Noir,” while Big Trouble in Little China plays under their “Kurt Russell — The Works” banner.
Saturday and Sunday mornings, The Abyss plays for “June Brunch: ILM.”
“Alec Guinness 100” brings a 2-for-1 double-feature of The Lavender Hill Mob and The Man in the White Suit this Friday and Saturday (6/20, 6/21), while, for Sunday (6/22), The Bridge on the River Kwai screens.
Oklahoma! also runs on Sunday.
Anthology Film Archives
Many Italian crime pictures from the ’60s and ’70s screen this weekend. Have a look at the enticing schedule here.
Before noon, a print of the Gary Cooper-led City Streets screens.
What are your weekend watching plans?