If one peers into the lavish worlds of Baz Luhrmann, they shouldn’t be surprised at the necessary heavy visual effects work — in fact, it was a partial reason The Great Gatsby was pushed back to summer in the first place. As his Leonardo DiCaprio-led ends its box office run with just over $310 million, we’ve now got an inside look at just how Luhrmann brought 1920’s New York City to vivacious life.
Uploaded by visual effects supervisor Chris Godfrey (who also worked with the director previously, as well The Thin Red Line and The Lord of the Rings), this four-minute reel looks at the work of Animal Logic, the primary vendor out seven used for the film. Featuring nearly 1,500 visual effect shots in total, it’s remarkable to see the differences between the sets and the finished product. The video unfortunately can’t be embedded, so click the photo below to check it out.
Did you enjoy The Great Gatsby? Which visual effects were you most impressed with?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
Welcome, one and all, to the newest episode of The Film Stage Roundtable, a spin-off podcast from the madmen who bring you The Film Stage Show. On this show, we discuss two theatrical-minded topics: our thoughts on food in movie theaters and assigned seating. Give a listen, and then share your thoughts on Twitter and Facebook. Let us know […]
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