Yes, of course, we love the glitzy red-carpet premieres and breathlessly staked-out hot takes on whatever premiere peppers the competition line-up, but Cannes’ highest batting average, bar none, is in its Classics section. This year’s repertory programming boasts Akira Kurosawa’s still-underseen debut Sanshiro Sugata, Visconti’s The Innocent, Orson Welles’ The Stranger, and—perhaps most notably—Ken Russell’s … Continue reading New Restoration of Ken Russell’s The Devils Leads Cannes Classics 2026 Lineup