While we’ve seen zombies expertly captured in everything from Night of the Living Dead to 28 Days Later to Shaun of the Dead, it’s time for Hollywood to deliver its most expansive (and expensive, with $180 million budget) project yet on the creatures. Much has been discussed regarding behind-the-scenes struggles on Marc Forster‘s World War Z, but we’ve now finally got the first trailer for the blockbuster hitting theaters next summer. At first glance, one can see the sheer difference from Max Brooks‘ book, but inside sources assure EW that it still retains its “inventive spirit” as it consolidates to one storyline. While I’ll have to see it to believe it, they also say Damon Lindelof’s new ending is “well worth the cost.”
As for those worrying about the insane speed of the zombies, visual effects supervisor John Nelson described their design “like predatory animals that can’t control themselves.” He added that when the zombies see humans, they go wild and “launch themselves,” not unlike a “school of fish” with their “reactive formations.” Nelson concluded, “it’s about their nature and the fact that their instinct to infect is so basic, efficient, and overpowering. They will go through anything. If they lose both legs, they will walk on their hands. They lock in and they’re like salmon going upstream or sperm swimming to be the first to egg.” Check out the results below in the first official trailer for the film starring Brad Pitt, Mireille Enos, Daniella Kertesz, James Badge Dale and Matthew Fox.
World War Z opens June 21st, 2013.
As my review can attest to, I’m looking forward to not only watch John Wick again but also see how the film hits with general audiences when it arrives this weekend. The actioner stars Keanu Reeves as an ex-hitman who is crossed by the son of his old employer. When everything is taken from him, he decides to […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Composer Nathan Johnson is a master at making off-beat and imperfect instruments sound distant yet accessible on a number of vastly different narratives (see: Brick, The Brothers Bloom, Looper). His latest work is a pair of scores for films that were both released this month, Jake Paltrow‘s neo-western Young Ones and the journalistic thriller Kill the Messenger starring Jeremy Renner. Johnson has also been producing a couple albums and […]
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