Mixing politics and art is nothing new inside filmmaking, but there’s one man that seems to push the envelope farther than most. Chinese activist and artist Ai Weiwei is known for bringing attention to practices of his government via many social media and other methods. Following his arrest a few years ago, director Alison Klayman was able to capture and inside look at both his current situation and his life’s work for her documentary Ai Weiwei: Never Sorry. Warmly received at Sundance, including a jury prize award, the film is now getting a limited release and one can see the poster and trailer below via Apple.
Named by ArtReview as the most powerful artist in the world, Ai Weiwei is China’s most celebrated contemporary artist, and its most outspoken domestic critic. In April 2011, when Ai disappeared into police custody for three months, he quickly became China’s most famous missing person. First-time director Alison Klayman gained unprecedented access to the charismatic artist, as well as his family and others close to him, while working as a journalist in Beijing. In the years she filmed, government authorities shut down Ai’s blog, beat him up, bulldozed his newly built studio, and held him in secret detention–while Time magazine named him a runner-up for 2011′s Person of the Year. Winner of the Special Jury Prize at Sundance 2012, her compelling documentary portrait is the inside story of a passionate dissident for the digital age who inspires global audiences and blurs the boundaries of art and politics.
Ai Weiwei: Never Sorry hits theaters from July 27th, 2012.
There is truly something magical when you combine the French Riviera, the global film market and thousands of hungry filmgoers and critics. The end result is what has come to be known as the most prestigious film festival in the world, the Cannes Film Festival, currently in its 66th iteration. This is my third year [...]
The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits related to classic or independent cinema. If you have any suggestions, feel free to e-mail in or tweet to @TheFilmStage. Check out the rundown below. Above, an unused Taxi Driver poster made for SpokeArt’s Martin [...]
Since any New York City cinephile has an almost suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
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