After directing many music videos for artists including Oasis, Weezer, The Smashing Pumpkins, R.E.M. and The Red Hot Chili Peppers, the duo of Jonathan Dayton and Valerie Faris finally broke out in Hollywood with their Oscar-winning dramedy Little Miss Sunshine. But since 2006, they’ve been completely absent. They’re back this year however, with a film titled Ruby Sparks, written by its star Zoe Kazan.
She joins Paul Dano, Antonio Banderas, Annette Bening, Steve Coogan, Elliott Gould, Chris Messina and Deborah Ann Woll. Telling the story of a writer who can create his dream woman from just his words, it looks to have the same crowdpleasing, heartwarming tone as their last film, but a somewhat smaller scope. While Little Miss Sunshine gets ragged on due to its success, I remember having a good time with it and hopefully the experience will be replicated here. Check it out below via Apple.
Calvin (Paul Dano) is a young novelist who achieved phenomenal success early in his career but is now struggling with his writing – as well as his romantic life. Finally, he makes a breakthrough and creates a character named Ruby who inspires him. When Calvin finds Ruby (Zoe Kazan), in the flesh, sitting on his couch about a week later, he is completely flabbergasted that his words have turned into a living, breathing person.
Ruby Sparks hits theaters on July 25th, 2012.
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute