When everyone else was busy praising Gomorrah years back, I, the eternal sourpuss, argued it to be a film which only “works,” technically, as the pilot for a great TV series or, alternatively, the 135-minute encapsulation of a great TV series’ first season. As something that had to conform to the strictures of regular-paced cinema, however, that multi-tier ensemble mob picture (despite snatches of brilliance) didn’t fully click.
Which makes it only slightly ironic that Matteo Garrone‘s next work takes place in the world of TV. The title, Reality, is something of a quick key-in as to what’s going on here, and only the first trailer brings a portrait of fame obsession that modern reality television feeds at a constant, dangerous rate. What’s here doesn’t fully enlighten questions about narrative or tonal content — there’s obviously some comedy, but just as much psychological horror — though a Buñuel comparison in one of the quotes, for instance, leaves an impact. Very few can capture that late master’s tone and wily nature, but I’d be ready to accept Garrone as one if he knocks this ball out of the park.
The trailer can be seen below and our Cannes review here.
Reality will enter limited release on March 15th.
What are your impressions from this glance? Did you like Gomorrah?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute