Having dabbled in both action and comedy genres in recent years, 2012 certainly cemented Mark Wahlberg in both. Not only did he lead the year’s biggest hit comedy with Seth MacFarlane‘s Ted, but the actor also finished shooting Michael Bay‘s Pain & Gain and signed on to lead one of Hollywood’s most massive franchises with Transformers 4. We’ve now got some minor updates on both, thanks to Collider.
Speaking with the outlet, Wahlberg said the plan is to shoot Bay’s robot sequel this May and then segue directly into a sequel to Ted, which could mean production right around a year from now considering the normally lengthy shooting schedule for Bay. We already know that a Ted 2 is a priority for Universal (not surprising considering a $500 million-plus gross for the original) and Wahlberg said that the Family Guy writer/director already has some “sick” ideas for the follow-up, so a summer 2014 release isn’t out of the question. But before we get to any of that, Wahlberg will be starring in Allen Hughes‘ crime drama Broken City and one check out a new trailer below via MTV for the film also starring Russell Crowe and Catherine Zeta-Jones.
Broken City lands on January 18th.
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute