I still can’t grasp the reason for releasing a 2D trailer for a 3D theatrical rerelease online, but alas Disney has delivered one with Monsters, Inc. 3D. While we’ll see Mike and Sulley head back to college next summer for the prequel Monsters University, it looks like Pixar wants to remind everyone where they began (or rather, headed to) with a rerelease of their 2001 animated his. I’m quite content with my Blu-ray, but one can see the trailer and poster below via Apple for the film featuring voice acting from John Goodman, Billy Crystal, Mary Gibbs, Steve Buscemi, James Coburn, Jennifer Tilly, Bob Peterson, John Ratzenberger, Frank Oz and Bonnie Hunt.
“Monsters, Inc.,” one of Disney-Pixar’s most beloved and visually imaginative feature films ever, returns to the big screen to delight a whole new generation of audiences and fans alike, this time in stunning 3D. The now-classic Academy Award(R)-winning animated comedy adventure “Monsters, Inc.” is set in Monstropolis, a thriving company town where monsters of all shapes and sizes reside. Lovable Sulley (voiced by John Goodman) and his wisecracking best friend Mike Wazowski (voiced by Billy Crystal) are the top scare team at Monsters, Inc., the largest scream-processing factory. The main power source in the monster world is the collected screams of human children–and at Monsters, Inc., an elite team of scarers is responsible for gathering those precious natural resources.
Monsters, Inc. 3D lands on December 19th.
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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