After a couple of promising international trailers we’ve been eagerly awaiting our first English-language, domestic look at the next film from The Orphanage director Juan Antonio Bayona, and now it’s finally arrived thanks to Summit Entertainment. Set for a Toronto International Film Festival debut, the drama starring Naomi Watts and Ewan McGregor recreates the 2004 Indian Ocean tsunami as we follow a married couple searching for their missing children in the aftermath of the disaster.
Our first looks hinted at an unsettling almost Lars von Trier or Roman Polanski-esque vibe, but here in the US we’re given an over-the-top emotional look at the story, but it still looks extremely well-done. I adored Bayona’s knack for building suspense in his previous film and it looks like he’s given a much larger playing field here, so I can’t wait to see what he comes up with. Check out the trailer below thanks to Apple, which uses U2‘s One.
Maria (Naomi Watts), Henry (Ewan McGregor) and their three sons begin their winter vacation in Thailand, looking forward to a few days in tropical paradise. But on the morning of December 26th, as the family relaxes around the pool after their Christmas festivities the night before, a terrifying roar rises up from the center of the earth. As Maria freezes in fear, a huge wall of black water races across the hotel grounds toward her. Based on a true story, THE IMPOSSIBLE is the unforgettable account of a family caught, with tens of thousands of strangers, in the mayhem of one of the worst natural catastrophes of our time. But the true-life terror is tempered by the unexpected displays of compassion, courage and simple kindness that Maria and her family encounter during the darkest hours of their lives. Both epic and intimate, devastating and uplifting, THE IMPOSSIBLE is a journey to the core of the human heart.
The Impossible arrives on December 21st, 2012.
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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