
Guggenheim’s work ranges from his Oscar winning An Inconvenient Truth to working on television’s 24 and Deadwood. During the interview we do of course talk about his very entertaining film It Might Get Loud, but we also delved into some of his career choices and his past experiences with film. This is one of those interviews where it became more of a conversation instead of feeling as if you are just going down a checklist of questions to ask the whole time. The film revolves around musicians Jack White, Jimmy Page, and The Edge talking about their passion for the electric guitar while also revealing details of their past. If you are a fan of these three musicians then you’ll undoubtedly be impressed with this and if you’re not, then there’s plenty for you to admire and connect to. Here’s what he had to say about his highly enjoyable film.
So congrats on the film, I saw it about a week ago and I really enjoyed it.
Davis Guggenheim: Thank you very much, that means a lot to me.
So do you enjoy the press process and doing all these interviews?
Davis Guggenheim: (laughs) You’re the first person to ask me that. I’ve been on a three week tour doing different cities and I enjoy it when it’s a thoughtful interview. Sometimes, if you’re not careful you’re basically saying the same things over and over. Often there is a journalist who wants to know what went behind the filmmaking and that’s fun to talk about.
I’ll try to make this a good interview then.
Davis Guggenheim: No, no, no! I mean I was going to say that doing this is important for a little film. It is important for it to be written about so I don’t resent it at all.
Now I know the film premiered at the Toronto film festival in 2007, why has it taken so long to come out? Did the film not pick up distribution there?
Davis Guggenheim: Yeah we made a deal right away and we had a bunch of offers. It’s more like… it was Sony’s decision. I’m not a marketer or distributor, but they sort of say it’s perfect for this spot. So, we still had a few months of finishing with mixing and stuff. It took about six months to get out before completing it which isn’t very unusual.
How long ago did you start working on this and shooting it?
Davis Guggenheim: Well, for about a year up until that Toronto screening…
So in about 2006, is that odd for you to finally be talking about the movie when you shot it while a back?
Davis Guggenheim: (laughs) No. I mean there’s been many screenings since and this is the fun part. I show it almost every night and get different reactions, it’s a pay off to see that. There was that six month gap of just waiting though and we were just working on something else.
What were you working on?
Davis Guggenheim: I worked on a documentary about the public school system in America.
Could you talk a little more about that?
Davis Guggenheim: Yeah, we shot a lot at the [Washington] DC schools. It’s us all over the country talking about how schools are doing and why it’s such a hard problem to fix.
Was it tough getting these musicians together and especially Jack White who comes off kind of reclusive?
Davis Guggenheim: (laughs) Yeah, well I think a lot of rock stars are kind of private. It certainly helps them build a mystique, Jimmy especially since he hasn’t done any press. I think it’s all about the movie’s intention, it wasn’t looking to cover dirty details like car wrecks.
Were you ever concerned the film wouldn’t be able to appeal to non-music fans?
Davis Guggenheim: The only concern about that is marketing and distribution. You know, I mean you might just think that this is a movie for guitar heads, but the response I’m getting is that it’s really about the creative process. It could have easily been about three novelist or three filmmakers.
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