Following a few squabbles between Lionsgate and 20th Century Fox — all of which pertain to the schedule of Jennifer Lawrence — THR says that Matthew Vaughn will begin shooting X-Men: First Class 2 this January. Plans originally called for things to get underway in the fall, but Lionsgate was none too hot on altering Catching Fire‘s schedule for a movie they have, say, zero stake in; something about exercising the option on Lawrence‘s contract came up, Fox balked, and here we are.
With all that backstage arm-flailing over and done with, I’m glad to have some extra confirmation on one of the few superhero movies I hold an interest in seeing. First Class had a lion’s share of issues, sure, but it’s a plenty fun time that, with a sequel, will have its finest aspect — that being Michael Fassbender‘s portrayal of Magneto — get expanded. So, just think of this as a big-budget film that has him playing a mutant. You’ve got to be excited now.
Have you been anticipating a First Class follow-up?
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming […]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, editor Nick Newman, writer Danny King, and I have a discussion on why movies matter before jumping into a feature review of Terry Gilliam‘s latest creation The Zero Theorem, which is now available on VOD before a theatrical release on September 19th. […]
Bleak and harrowing, Starred Up is a prison picture that pushes the boundaries. The film opens with the graphic examination of Eric (Jack O’Connell) a teen transferred to an adult prison. Exploring the culture of violence, in particular the legacy of violence, David Mackenzie has crafted a powerful feature film that has resonated with in […]
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