It’s been more than two years since the release of Salt, and yours truly would be shocked (shocked!) if anyone is clamoring for (or ever actually wanted) a sequel. And, yet, THR inform us that as much is still in motion at Columbia Pictures — I forgot about hearing of one, to be honest, though it’s been a while — with a new writer coming in to make up for Kurt Wimmer‘s draft. I know you can’t believe it, either, but a screenplay from the writer of Equilibrium and Ultraviolet happened to not be “up to snuff” for Angelina Jolie.
Now they’ve brought in Becky Johnston, who only recently saw the release of a new film under her penmanship — the Colin Firth- and Emily Blunt-led Arthur Newman — but is best-known for having written Seven Years in Tibet, The Prince of Tides, and Prince‘s classic film Under the Cherry Moon. Her job doesn’t appear to be a simple rewrite, but page-one start that will carry over the events of Philip Noyce‘s 2010 thriller; the version she works from is another question.
In all sincerity, odds say she’ll branch off what was provided in the theatrical cut — the home video release contained a director’s cut and extended cut, each with a different conclusion — especially since that’s what a majority of audiences are coming back from in the first place. But there’s a whole other question of how many people actually remember (let alone enjoyed) the first Salt, and that could be a deciding factor in how far this ends up going.
Is there sufficient reason to make another Salt?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute