Seeing as Horrible Bosses has abounded whenever We’re the Millers comes up, this news is all too fitting. According to Deadline, Jennifer Aniston and Jason Sudeikis are looking to join the pot-based comedy that, up until now, was set to star Jason Bateman. Charlie Day is confused and frustrated at the moment.
Rawson Marshall Thurber (Dodgeball) is directing a script from Bob Fisher and Steve Faber (Wedding Crashers), which centers on a drug dealer who, in one last job, “pulls together a fake wife and two kids to pose as an RV road-tripping family.” The end goal? Smuggle 1,000 pounds of marijuana across the U.S.-Mexico border. Sudeikis, naturally, would be the pot dealer; Aniston is expected to play the prostitute-turned-fake mother.
Comparing those roles with their typical onscreen parts, I might see the both of them as a little too “clean” for such seedy roles — even if Aniston did a raunchy turn in Bosses rather nicely — but they’re certainly likable enough for me not to issue some kind of complaint. (And, to be fair, I suppose the same could have been said of Bateman, a guy who generally plays clean cut.) There’s no hint of when shooting might commence, though I’d expect a summer start, should the both of them get signed before long.
How do you feel about either taking a role in Millers? Is Sudeikis a suitable replacement for Bateman?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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