As Green Lantern continues to tumble at the box office, both home and abroad, Warner Bros. is still holding true to the DC Comics hero. A script for the sequel has already been handed in, courtesy of Greg Berlanti, Michael Green and Marc Guggenheim. You’ll notice that all three of these scribes had a hand in the first film, which sported impressive effects…and not much more.
Ryan Reynolds‘ turn as Hal Jordan/Green Lantern felt stale and miscalculated while Blake Lively was criminally ignored as the perennial lady-in-waiting (see Hayley Atwell in Captain America: The First Avenger for evidence of the opposite) and director Martin Campbell delivered something that looked a lot like a teenager who realized he had a big test the night before he had to take it and crammed, remembering only bits and pieces of all of the different elements he was meant to study.
Sure enough, Warners would like a new director for the sequel (but not new writers?) though apparently Campbell’s contract states that he can pursue a sequel if he so chooses. [L.A. Times]
While Marvel Studios pounds out another superhero movie a mile a minute to modest success every time, DC Comics is poised to lose its prized pig (Chris Nolan’s Dark Knight trilogy) next summer while they count on Superman reboot from Zack Snyder, someone who made a modest hit (Dawn of the Dead), surprise hit (300) and then three flops in a row (Watchmen, Legend of the Guardians, Sucker Punch). To say things are in flux is to put it lightly.
That said, they’ve got a script for Flash, a DC hero on the same level as Lantern in popularity and a character Mr. Reynolds was once rumored to play. Warner Bros. film group President Jeff Robinov says its a “solid script,” which means not much of anything.
What would you rather? A Lantern sequel or a Flash film or neither?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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