You’ve very likely forgotten by this point, but Vin Diesel does, sometimes, act in films that aren’t installments in start-of-the-millennium franchises; now, though, an essentially confirmed return will allow him to step outside those safety zones for a bit. Case in point: Variety reports that he’ll be leading The Machine, a family-centered actioner that Peter Segal (Get Smart) has entered tentative negotiations to direct.
Robert Ben Garant and Thomas Lennon (Reno! 911, Night at the Museum) wrote and will produce the film, which revolves around a titular, government-designed weapon that was built to be “the world’s first true ultimate weapon.” After he’s put out of commission for around twenty years, a young boy uncovers him and, if history serves us correctly, uses him as both a toy and friend. Oh, God… I can already map out the narrative arc and it is not pretty.
Segal‘s directorial involvement is not a confirmed thing at the moment, nor would his signing mean this is coming up next; the manga adaptation Bleach is being planned, along with a project titled Grudge Match. But does anybody, in all honesty, really want to see what this project could bring to the table in the first place? This writer thinks it sounds like The Iron Giant meets The Pacifier — that is, the basic plotting of the former and entire soullessness of the latter
Does The Machine sound even remotely appealing?
As my review can attest to, I’m looking forward to not only watch John Wick again but also see how the film hits with general audiences when it arrives this weekend. The actioner stars Keanu Reeves as an ex-hitman who is crossed by the son of his old employer. When everything is taken from him, he decides to […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Composer Nathan Johnson is a master at making off-beat and imperfect instruments sound distant yet accessible on a number of vastly different narratives (see: Brick, The Brothers Bloom, Looper). His latest work is a pair of scores for films that were both released this month, Jake Paltrow‘s neo-western Young Ones and the journalistic thriller Kill the Messenger starring Jeremy Renner. Johnson has also been producing a couple albums and […]
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