When one hears Universal intends to make a Safe House sequel, one is compelled to look up the original’s gross and see if that’s actually a wise move. Tonight is, therefore, the night I learn Daniel Espinosa‘s film made over $200 million worldwide on a budget which amounts to, in some sense, about half that cost; with that, a sequel isn’t the weirdest idea.
THR has learned of this movement on Universal’s part, namely that the studio is hing David Guggenheim to return and pen further adventures set in this world. In a more specific sense, it’s expected that Ryan Reynolds will reprise his CIA agent role from the first, while Denzel Washington could, in theory, come back. This is only a problem because… well, I won’t spoil Safe House, but you might catch the general drift of such a caveat. Prequel time!
This does raise an interesting problem: Universal scored a hit with the first outing earlier in the year, but most of that — and I mean most of that — was predicated upon the presence of Washington. Is anybody aching for more action films centered on dedicated agent Matt Weston? Probably not, and Reynolds hasn’t proven himself to be a huge draw for audiences — it’s a big reason they put the other star all over advertisements. Whatever solution needs to be concocted, Safe House 2 is coming together.
Is there a solid reason for a second Safe House to exist? If you saw the original, what were your thoughts?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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