With Paul Thomas Anderson‘s The Master breaking records in a limited release, the film is set to be unveiled in a number of international territories and today we’ve got a poster from France. We already saw a version of this for a San Francisco pop-up screening, but this one comes in high-resolution and features one of the Rorschach tests Joaquin Phoenix‘s character goes through during the film.
Following yesterday’s US theatrical poster for Ben Affleck‘s Argo, the UK have unveiled their version. This one loses our red-tinted film strip and instead adds a Hollywood sign landscape and splits Affleck and our hostage group in the film that also stars Alan Arkin, Bryan Cranston, John Goodman, Kerry Bishe, Kyle Chandler, Rory Cochrane, Christopher Denham, Tate Donovan, Clea DuVall, Victor Garber, Zeljko Ivanek, Richard Kind, Scoot McNairy, Chris Messina, Michael Parks and Taylor Schilling. Check out both posters below thanks to IMPAwards.
The Master expands this week and Argo arrives on October 12th.
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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