If you can bear the notion of Emma Thompson replacing Meryl Streep, you should be able to take this news suitably. According to Variety, Tom Hanks and Thompson have been pulled into Saving Mr. Banks, a Disney-produced film about Walt Disney‘s fourteen-year quest to adapt P.L. Travers‘ Mary Poppins, and how the author was particularly difficult to pin down. (The script reportedly goes into her post-release reaction — which, from what I understand, was not terribly good.) John Lee Hancock is already pegged to direct, with production more than likely in their distant futures.
Our first report on the screenplay (written by Kelly Marcel) said, somewhat prematurely, that both Hanks and Streep were being courted for the roles of Disney and Travers, respectively; this duo is where we are now, but I’d easily say Thompson‘s just as good of a pick. Seeing these two fight over anything — much less the rights to a book — should make for compelling material, and I’ll take its Black List status as another positive sign. I’m still not sold on the idea of Disney making a film about their almighty founder in some kind of conflict, for reasons quite simple, but I’ll take the biased messages in stride if the both of them can bring their A-game. And, really, I have no reason to think they wouldn’t.
Would Hanks and Thompson make a good onscreen pairing? What do you make of this project as a whole?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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