If you can bear the notion of Emma Thompson replacing Meryl Streep, you should be able to take this news suitably. According to Variety, Tom Hanks and Thompson have been pulled into Saving Mr. Banks, a Disney-produced film about Walt Disney‘s fourteen-year quest to adapt P.L. Travers‘ Mary Poppins, and how the author was particularly difficult to pin down. (The script reportedly goes into her post-release reaction — which, from what I understand, was not terribly good.) John Lee Hancock is already pegged to direct, with production more than likely in their distant futures.
Our first report on the screenplay (written by Kelly Marcel) said, somewhat prematurely, that both Hanks and Streep were being courted for the roles of Disney and Travers, respectively; this duo is where we are now, but I’d easily say Thompson‘s just as good of a pick. Seeing these two fight over anything — much less the rights to a book — should make for compelling material, and I’ll take its Black List status as another positive sign. I’m still not sold on the idea of Disney making a film about their almighty founder in some kind of conflict, for reasons quite simple, but I’ll take the biased messages in stride if the both of them can bring their A-game. And, really, I have no reason to think they wouldn’t.
Would Hanks and Thompson make a good onscreen pairing? What do you make of this project as a whole?
As my review can attest to, I’m looking forward to not only watch John Wick again but also see how the film hits with general audiences when it arrives this weekend. The actioner stars Keanu Reeves as an ex-hitman who is crossed by the son of his old employer. When everything is taken from him, he decides to […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Composer Nathan Johnson is a master at making off-beat and imperfect instruments sound distant yet accessible on a number of vastly different narratives (see: Brick, The Brothers Bloom, Looper). His latest work is a pair of scores for films that were both released this month, Jake Paltrow‘s neo-western Young Ones and the journalistic thriller Kill the Messenger starring Jeremy Renner. Johnson has also been producing a couple albums and […]
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