Odd though it may seem, Tom Cruise is really getting himself into a sci-fi groove. It’s sort of enough that Oblivion is preparing to open next April and All You Need Is Kill is making its way toward production — especially for someone like him, who isn’t making film-after-film these days — Variety tell us the actor is essentially guaranteed to headline a genre project that’s only known as Our Name Is Adam.
While we’re told the film’s been written by T.S. Nowlin — whose screenplay Agent 13 is expected to get treatment from Charlize Theron and Apes director Rupert Wyatt — and to be produced by Mary Parent (Pacific Rim, Noah), who Cruise worked with on Valkyrie, every other substantial note is withheld from us simple members of the general public. Well, okay, here’s one other thing: Given that the producer’s Disruption Entertainment have a first-look deal with Paramount, it would appear that Our Name Is Adam will end up there. No surprise for Cruise.
Taking the title into some kind of consideration, I’d wager (really for the hell of it) that the movie has one thing or another to do with a mode of creation; further, let’s say it has something to do with genetic engineering. But that’s just a wild guess and, past what little that already is, there’s almost no reason to even guess. Wait Adam out.
Despite how little is being said, might there be any interest on your own part for Adam?
As my review can attest to, I’m looking forward to not only watch John Wick again but also see how the film hits with general audiences when it arrives this weekend. The actioner stars Keanu Reeves as an ex-hitman who is crossed by the son of his old employer. When everything is taken from him, he decides to […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Composer Nathan Johnson is a master at making off-beat and imperfect instruments sound distant yet accessible on a number of vastly different narratives (see: Brick, The Brothers Bloom, Looper). His latest work is a pair of scores for films that were both released this month, Jake Paltrow‘s neo-western Young Ones and the journalistic thriller Kill the Messenger starring Jeremy Renner. Johnson has also been producing a couple albums and […]
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