Sometimes headlines make you blink, do a double take, and / or wonder if someone’s playing a joke. Because, really, there’s no reason smart people who care about their finances would go forward with something so ludicrous — but they do. And, boy, is this one of those stories.
Deadline reports that Sony Pictures have decided to dig up Sabrina the Teenage Witch for the “edgier” reboot treatment — the “edgier” superhero reboot treatment, as it were. Tapped to write the screenplay are Andrew Barrer and Gabriel Ferrari, who will crank out a Spider-Man-like story of “a young girl coming to terms with her remarkable powers” that Don Murphy and Susan Montford (Real Steel) are producing. Depending on his schedule, Mark Waters (Mean Girls, Mr. Popper’s Penguins) could direct. Oh, and this is also a priority for the studio. A priority.
Sabrina’s original powers (Wikipedia tells me time travel and shapeshifting are among them; I’m not an expert!) will be retained for the new film, as will her cat, Salem. This being a reboot, however, he’s now “a transformed prince creating unique love stories for Sabrina.” (Does that even make sense? On any basic level?) No hint of when casting might get underway — the “priority” status has me thinking something’s already in the works — though we at least know they’re hoping to “discover an actress” for this role. Now, maybe it’s unethical to suggest a young actress doesn’t take the role, but…
(This is another way of saying that, no, I don’t think a dark and gritty reboot of Sabrina the Teenage Witch is a very smart idea.)
Do you see any logic in giving Sabrina this treatment, much less bringing it back at all?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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