Coming out of Cannes — our excellent coverage of which you can (and should) read right here — THR informs us that Saoirse Ronan has up and taken command of a biopic. The film in question puts a spotlight on Vera Brittain, a young Englishwoman who not only experienced World War I from the nurse’s perspective, but also chronicled those trials in her seminal memoir, Testament of Youth. Along with the standard helping of the wounded, Brittain’s experiences with the war can best be summarized by the incredible losses endured on a personal front — her brother, fiancé, and multiple friends all died in the conflict.
Juliette Towhidi will make her directing debut on the picture, while David Heyman (Harry Potter) will produce through his Heyday Films in conjunction with BBC Films; I’m sure they’ll complete their tasks diligently. Rather, it should be noted that Ronan, the main source of interest, is taking what may very well be one of the first “adult” roles of her entire career — Brittain is 20 at the memoir’s outset — and, being taken with the majority of her work, it’s (understandably) semi-exciting to see take place. If nothing else, Testament of Youth should act as an evolutionary step in her career.
That same THR story goes on to tell us that, in following My Week with Marilyn, director Simon Curtis will partner with the aforementioned BBC Films on another historical picture, The Golden Lady. (There’s no word on if this will proceed or follow his planned effort, Click to Connect, but that should be decided in the relatively near future, I imagine.) The Alexi Kaye Campbell-scripted feature centers on Maria Altmann, a woman who enlisted the help of attorney Randy Schoenberg to find and recover priceless Gustav Klimt paintings that had been taken by Nazis — some of which were portraits of her own family. Curtis and producer David Thompson (of Origin Pictures), meanwhile, will try and find Oscars in their own quest.
Have BBC Films made strong choices on what to back?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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