Almost any post-lead actors to join Shawn Levy‘s The Internship have been of the smaller sort — it’s a sign of, well, something when Max Minghella is your most noticeable addition — though an exception has arrived, since EW reports Rose Byrne is on the verge of joining Vince Vaughn and Owen Wilson‘s new comedy. The general details on her character are a little basic, with our descriptor being “a high-ranking executive who starts a relationship with Wilson’s character.” But the part’s in good hands — should her work in Bridesmaids have signaled anything.
The Vaughn-penned comedy follows two friends who, though having acquired work at an up-and-coming website’s office, must compete with fellow interns over precious working positions. Fairly generic and “easy,” really, but a reunion of the two Wedding Crashers stars should make for a moderately fun comedy outing; Josh Brener, Tiya Sircar, Tobit Raphael, Daniel O’Brien, and JoAnna Garcia will join them and try to keep up. The Internship will begin shooting on July 9th.
Secondly, Deadline has pegged Stephen Moyer as a latecomer to Devil’s Knot; he’ll play John Fogleman, who many believed abused his power — by way of shoddy testimonies and even wonkier evidence — when prosecuting Damien Echols, Jessie Misskelley, Jr., and Jason Baldwin back in 1993.
It should not only be one of the closest things Knot has to a true antagonist — the fact that he’s a lawyer is somewhat funny, I think — but a good counterpoint to Ron Lax (Colin Firth), whose personal investigations (and the evidence that stemmed from them) set up much of the plot’s crux. While I’ve only seen a bit of Moyer‘s work on True Blood, even that execrable show lets him chip in good work; I only expect it should carry over to Devil’s Knot
The rest of the cast is filled up by Reese Witherspoon, Mireille Enos, Alessandro Nivola, Amy Ryan, Dane DeHaan, Kristoffer Polaha, Collette Wolfe, James Hamrick, Bruce Greenwood, Michael Gladis, Matt Letscher, Brian Howe, Robert Baker, Kevin Durand, and Rex Linn. Production is starting imminently.
Are you happy to see both films make these picks?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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