Another couple of days, another couple of actors added. So it goes with Olympus Has Fallen, the Antoine Fuqua-helmed thrill ride that has, this time around, contracted the great Robert Forster (most recently seen in The Descendants) and Ashley Judd to take supporting parts. THR provides a rundown of their roles that will probably be equal to the film’s onscreen characterization: The seasoned veteran is playing a general who goes toe-to-toe with “nuke-loving [North Korean] terrorists” who’ve taken over the White House, while his new co-star is the First Lady to Aaron Eckhart‘s Commander-in-chief.
Gerard Butler will try to rescue them everyone else held hostage by Rick Yune‘s character, a “sociopathic monster” posing as a South Korean aide. Melissa Leo, Dylan McDermott, Angela Bassett, Radha Mitchell, and Cole Hauser also star in Olympus Has Fallen, which starts shooting sometime during the next week.
Deadline goes on to report that Nate Parker (Red Tails, Red Hook Summer) is the fourth member of Ain’t Them Bodies Saints, which has already found a main trio in Rooney Mara, Casey Affleck, and Ben Foster. While the actor’s role has not been stipulated, we already know enough about Saints to take a guess as to its potential quality. And the guessing is good.
David Lowery will make his debut here, the tale of an escaped convict in the ’70s (probably Affleck) who must confront a dark past in order to reunite with his wife (Mara) and daughter. It’s got a lot of energy behind it, and the great cast means Parker will need to bring something special if there’s any hope of standing out.
Finally, Variety says that Oculus — which, back at Cannes, was bought by FilmDistrict — will now star Karen Gillan, best known to sci-fi fans as Doctor Who‘s Amy Pond. In Mike Flanagan‘s picture, she’s portraying a woman who, as a child, was traumatized when her brother was accused of murdering their parents; as an adult, she’s now “determined to prove that [a] haunted mirror was responsible for destroying [her] family.”
Oculus sounds hokey, frankly — somewhere along the lines of Alexandre Aja‘s Mirrors, probably — though Gillan has earned a good amount of acclaim and attention on the BBC series to lend this project a bit of promise. If only on her account, this writer will wait to see a bit more from the project before making any judgement calls; that makes her a wise casting choice. (It also makes me stupid.)
What are these projects’ current activity communicating to you?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute