Maybe it can be traced back to plain old naïveté, but I was inclined to believe Alcon Entertainment when they definitively laid any “Harrison Ford is back to Blade Runner” rumors to rest. Now, Ridley Scott has come out to EW by, more or less, saying the exact same thing — and also managed to spill a little more on just what this thing is.
Well, he might not be the one to ask. Not because he’s secretive, either; Scott simply doesn’t know. He and various writers — Blade Runner co-scribe Hampton Fancher among them — are “still in discussions about whether it should be a prequel or sequel,” which, obviously, means that a script hasn’t been generated. (The prequel option, by the way, would almost definitively rule out Ford‘s involvement. That is, unless they take the worst possible direction that I shudder to even think about.) But, while he’s “not sure that [Deckard is] going to be a story point,” Scott was, for whatever this may be worth, quoted as saying that “nothing would please me more.”
You know what else might please the Englishman? A Prometheus sequel. Now, you might be perplexed as to how a (supposedly) direct prequel could get its own follow-up, but we at least know that he’s “also thinking about what the hell I might do for a Prometheus 2.” When asked if, hey, might there be a Prometheus 2, Scott just knocked a wood coffee table and grinned. I don’t know; I think I gave something that equates to a withering glance.
Do you see the possibility of Ford going back to Blade Runner, despite this recent flurry of comments? How could a Prometheus sequel even work?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute