There are few finer character actors around than Richard Jenkins. When he’s onscreen he elevates otherwise mediocre efforts (Eat Pray Love, The Rum Diary), adds a special dose to already excellent ensembles (Burn After Reading, Killing Them Softly) or has some fun in the genre side (Let Them In, The Cabin in the Woods). He’s now about to fill his blockbuster quota for an upcoming project, Variety reports.
Jenkins has entered talks to join his Dear John co-star Channing Tatum in the next Roland Emmerich action vehicle White House Down. Described in the vein of Die Hard and scripted by James Vanderbilt (Zodiac, The Amazing Spider-Man), the film follows a single father and Secret Service agent (Tatum) who is tasked to protect the president when baddies invade the White House with little chance of escape.
Jamie Foxx plays the president in question, with Maggie Gyllenhaal and James Wood in secret service roles, while Jenkins may join as the Speaker of the House, who is third up to take the reigns of the presidency, after the vice president. Despite the type of project, it’s always nice to hear Jenkins is taking part. Working harder than most other actors, there will be many other films featuring the actor that see release before this one, with the aforementioned Killing Them Softly this fall, along with The Company You Keep, Jack Reacher, A.C.O.D. and Liberal Arts arriving either in festivals or in theaters before year’s end.
White House Down hits theaters November 1st, 2013.
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute