Before the influx of Comic-Con-related news hits us — most of it pertaining to films that will, more or less, never be discussed after their opening weekend — Deadline tells of an adaptation that might actually bring something to the table. As it goes, Reese Witherspoon and 20th Century Fox have made a big-scale deal for Gillian Flynn‘s best-selling novel, Gone Girl, which the author will be writing herself. (This is one of three films based on her work that’s currently in development; Amy Adams will star in Dark Places, while Blumhouse have the rights to Sharp Objects.)
It hasn’t been said if Witherspoon will have a role — though I sort of figure it’s the case, who knows — but she will, regardless, produce through her company, Pacific Standard, alongside Bruna Papandrea and Leslie Dixon. Like the source material, Gone Girl will revolve around the disappearance of Amy Dunne — who vanishes from sight on her fifth anniversary — and how her husband, Nick, is the primary suspect.
While Gone Girl might sound like standard potboiler material when quickly glanced over, the reviews have been pretty complimentary toward Flynn‘s story, as well as the way her characters are constructed. A good start, I’d say, especially when you remember that she’ll be handling the script herself; now, for that simple task of finding the right director and stars.
Do you have a positive impression of Gone Girl, based on what’s been established?
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Today we have a special episode of our official podcast, The Film Stage Show. In honor of James Gray‘s The Immigrant arriving on Netflix this week, we have an audio version of our full interview with the director, published in text form on the site during the film’s theatrical release. Conducted by co-host Nick Newman […]
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